The sleeper issue in the 2020 election will be…the 2016 election. Or at least that's what Trump seems to think....
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A raging cyclone is crossing the Indian peninsula causing havoc and rain but that is no reason to miss a visit to the world’s only city with a season dedicated to music and dance. The Margazhi festival of Chennai in southern
is a unique opportunity to fill your holiday with an enchanting glimpse in to
the rich culture,
tradition and food of India . India
Margazhi is a month in the Indian Tamil calendar covering December and January. But it is getting to be more associated with the unique carnatic music and dance festival being held in the city of
since decades and evoke nostalgic and romantic feeling in many people, especially
among the expatriates who wait for a whole year, yearning for an annual visit. Chennai
The best thing about the Margazhi festival is that each day is filled with many musical and dance events in several venues till late night most of which are absolute free with no tickets or entrance fees. The festival aims to promote talent and give an opportunity for the artists to perform in public attracting both professional and amateur practitioners of the arts from around the world.
If you are after a relaxing and fulfilling holiday, it is indeed great fun to hop in and listen to some invigorating music in the mid morning, spend some time on the beach or enjoy some really ethnic food, do some browsing or shopping for exotic jewellery or clothing in the afternoon and then return for more enjoyment of some exhilarating dance in the evening. You can do all of these in any order you like for several days non-stop if you wish.
The festival is in fact an amazing panorama of true Indian culture you can only remotely sense in the hype of “Incredible India”. The artistic intensity of vocal Carnatic and Hindustani music, exotic instruments and solo performances, and riveting dance performances by lone exponents and groups will leave indelible tracks on your memories to take home, unlike a normal holiday you will soon forget about.
What makes it even more interesting is the availability of really ethnic food at many venues during the season, which is normally served only in private homely functions,
thanks to the month of Margazhi, considered inauspicious for marriages and other functions. For connoisseurs, this wonderful treat for the palette is an added attraction of the festival pampering all of your senses.
If you seriously want a rejuvenating break and don’t know how to get that well deserved tranquilising change away from your world, then Margazhi in Chennai may be what you may be looking for.
Article first published in Technorati as http://technorati.com/lifestyle/travel/article/while-its-raining-cats-and-dogs/
This blog post is to request you to visit and contribute to a special Facebook Fan page.
I hope it will bring out and introduce to the whole world, the genius of the great and inimitable Malayalam script writer and actor Sreenivasan and the secret of how his unforgettable scripts came alive and live for ever in the hearts of Malayalees through sheer screen magic of Satyan Anthicad, a great Malayalam film director.
Their work is such that there is no reason why it wouldn’t be recognised among the best of best in the world cinema had it been in English language! It is never too late to bring them such recognition and the onus is on none but the mallus themselves who are naturally bestowed with broad hearts.
The work of the pair will be remembered for the wonderfully natural characters it has produced on the screen with whom every malayalee can identify in some way.
This page is a place to share your unforgettable experience of that identity, the moments which made you laugh and cry and feel helpless in the state of affairs in God’s own land!
If the world should know, it has to be in English, even if it means your competence is at par with that of Sreemathi Teacher!
Satyan - Anthicad films with scripts by Sreenivasan
1986 T. P. Balagopalan M.A. Mohanlal, Shobana, Sreenivasan, Kuthiravattom Pappu Sreenivasan
1986 Gandhinagar 2nd Street Mohanlal, Karthika, Sreenivasan, Mammootty, Seema, Janardhanan, Thilakan, KPAC Lalitha Sreenivasan
1986 Sanmanassullavarkku Samadhanam (Peace for Good Minded) Mohanlal, Karthika, Sreenivasan, M.G. Soman, KPAC Lalitha, Thilakan Sreenivasan
1987 Sreedharante Onnam Thirumurivu(Sreedharan's First Blessed Wound) Mammootty, Sreenivasan, Neena Kurup, Innocent, Suresh Gopi, Sankaradi Sreenivasan
1987 Nadodikkattu (Nomadic Wind) Mohanlal, Sreenivasan, Thilakan, Shobhana, Innocent, Mamukkoya, Captain Raju Sreenivasan
1988 Pattanapravesham (Coming to Town) Mohanlal, Sreenivasan, Karamana Janardanan Nair, Thilakan, Ambika, Innocent,KPAC Lalitha Sreenivasan
1988 Ponmuttayidunna Tharavu ( The Goose That Lays Golden Eggs) Sreenivasan, Jayaram, Urvashi, Innocent, Karamana Janardanan Nair, KPAC Lalitha,Parvathy Sreenivasan
1989 Varavelpu (Welcoming) Mohanlal, Revathi, Murali, Sreenivasan, Mamukkoya, Innocent, Jagadeesh, Oduvil Unnikrishnan Sreenivasan
1990 Thalayanamanthram (Pillow Talk) Sreenivasan, Jayaram, Urvashi, Parvathy, Innocent, Mamukkoya, KPAC Lalitha,Sukumari Sreenivasan
1991 Sandhesam (Message) Thilakan, Kaviyoor Ponnamma, Sreenivasan, Jayaram, Innocent, Mamukkoya, K. P. A. C. Lalitha, Siddique Sreenivasan
1993 Samooham (Society) Suhasini, Suresh Gopi, Manoj K Jayan, Sreenivasan, Nedumudi Venu, Mamukkoya,Vineeth Sreenivasan
1993 Golanthara Vartha (Global News) Mammootty, Shobhana, Kanaka, Sreenivasan, Nedumudi Venu, Mamukkoya, Oduvil Unnikrishnan Sreenivasan
1994 Pingami (Successor) Mohanlal, Sukumaran, Kanaka, Jagathi Sreekumar, Innocent, Oduvil Unnikrishnan,Devan Raghunath Paleri
1994 Santhana Gopalam Balachandra Menon, Jagathi Sreekumar, jagadeesh, Thilakan, Kaviyoor Ponnamma
1997 Irattakuttikalude Achan (Father of Twins) Jayaram, Manju Warrier, Murali, Sreenivasan, Kavya Madhavan, Lalu Alex,Mamukkoya Sreenivasan
2001 Narendran Makan Jayakanthan Vaka (Of Jayakaanthan, Narendran's Son) Kunchacko Boban, Samyuktha Varma, Asin, Sreenivasan, Innocent, Oduvil Unnikrishnan, K. P. A. C. Lalitha, Parthiban Sreenivasan
2002 Yathrakarude Sradhakku (Passengers Attention Please) Jayaram, Soundarya, Sreenivasan, Innocent, Mamukkoya, Oduvil Unnikrishnan,Siddique, Nedumudi Venu Sreenivasan
Last week Facebook started rolling out the much anticipated updates which were to follow their substantial revamp aimed at catching up with Google+. The timing was just right to create the necessary uproar and interest among its 800 million followers and the rest of the world and make them ready for the quantum leaps Mark Zuckerberg was about to announce during F8, the annual conference of Facebook developers.
In fact Facebook went ahead and implemented the change to its news updates a few of days back which in itself drew wild worldwide reactions. Though there seemed to be wide support (more than 2000 likes and 100 tweets as received by this innocuous comment, which raised the author to a HuffPost Influencer status) for the changes, there were also avalanches of protests from disgruntled users who objected to Face book’s arbitrary choice of what the user should see in the status update timeline. One survey showed disastrous results.
The main changes announced concerned how News Feed will act more like your own personal newspaper, and how you won't have to worry about missing important stuff. Because all your news will be in a single stream with the most interesting stories featured at the top.
The other most important feature was a new Twitter-like timeline called Ticker with real time streaming of friends' activity like “likes” of an update, comments on a post or subscribing to a page.
Though these innovations looked nice, especially visually more appealing with larger photos and suited those with a large number of friends or those who visited Facebook less often to check friend’s updates, they seem to have incurred undue wrath of loyal members, threatening to switch to Google+
The protests were surely following a now familiar pattern:
“In the history of Facebook changes, the pattern has typically been that users complain loudly at first and threaten to leave the site but then eventually learn to live with, if not like, the new approach.”
However, Facebook has announced seven important updates in the conference, of which the changes to the Profile page seem to be the ones which will have far reaching consequences.
In a nutshell, the Facebook Profile page is becoming your life story, your illustrated autobiography, a chronicle in which everything you chose to appear right from your birth day, everything you posted on Facebook reflecting your daily life and interaction with those around you will be available to anyone who is allowed an access. The whole information will be nicely indexed, year wise and moth wise for easy access.
The social impact of such a feature, available on the 800 million members and possibly billions who will eventually join the network is, at the minimum mind boggling! We may bid good by to “Nostalgia”, or the simple joy of discovering a lost picture, for ever, because nothing is hidden farther from a mouse click!
Article first published as Will The New Facebook Profile Make â€œNostalgiaâ€ Disappear For Ever? on Technorati.
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